This is just a short wrap up post to talk about the other variations of these characters outside of the main canon. These spin-off shows vaguely tie-in to the original series, but make changes to the world/characters to fit the demographic these new series are targeting.
Year: 2008 - 2012
Looking at only American, or American/Foreign Coproduced Animated Films Rated G or PG that were released in at least 500 theaters in the U.S.
53 Movies Released
All theatrically released animated Disney feature films (released under Pixar Animation Studios, DisneyToon Studios, ImageMovers Digital, Skellington Productions, Walt Disney Animation, Walt Disney Television Animation), excluding films that included a lot of live action, straight to video films that had a limited theater or international premier only, shorts, Disney package films, and films not produced by Disney but distributed under the Disney label.
Zootopia isn’t just a family-friendly police procedural with an anthropomorphic twist. It also deals with complicated issues of intersecting privilege and systemic prejudice in a way that is accessible to children. This dovetails nicely with its treatment of primary protagonist, Judy Hopps, a female character that stands out in a figurative sea of princesses.
To really understand what makes Judy Hopps so unique, it’s important to take a look at female primary protagonists in theatrical animation, particularly the royalty. There are relatively few female primary protagonists in American animation, and a large number of them have either been royals or women whose love interests are royals.
Including all mainstream Disney animated features theatrically released in the U.S., from Snow White and the Seven Dwarfs (1937) to Frozen 2 (2019), there have only been 19 films with a female primary protagonist. Comparatively there have been 64 films with a male primary protagonist, and 7 with male/female co-protagonists.
The Dove Foundation is a Christian based review site. It is a non-profit, that's mission is to: "promote the creation, production, distribution and consumption of wholesome family entertainment."
And yet what constitutes wholesome entertainment isn't clearly defined anywhere on their website. Their seals of approval include: family approved (all ages), family approved (for 12 and older), faith friendly, and faith based.
While it seems that The Dove Foundation aspires to something of the Hayes code values, it's hard to know. The lack of clearly defined requirements for what is considered "wholesome" gives some freedom for the site to be vague about their own values. For instant in their review of Love Free or Die (2013):
